Skip to main content

'Nobody' (15)



Director: Ilya Naishuller

Cast: Bob Odenkirk, Aleksey Serebryakov, Connie Nielsen

Where can I watch?: Nobody is streaming on Prime Video

Rating: 4/5

Review: There was a moment, in the first 15 minutes or so, when I thought Nobody might be a genre-defining film, one that took the age-old notion that 'the man of the house should defend the house' and subvert it, so that the movie was a study of what it means to be a man in the 21st century. Dear reader, Nobody is far from an essay on society's obsession with 'the strong man' - it's a gun-toting, ass-kicking, Russian-beating action movie that's entirely enjoyable. Bob Odenkirk is Hutch Mansell - his everyday life is mundane, his marriage is on the rocks and his teenage son is, well, being a teenager. Then everything changes, and the bodies start piling up higher than even Boris Johnson would be comfortable with. 

There are obvious comparisons to be drawn with the John Wick series - a suburban man, a little past his prime, is suddenly thrown back into a world of violence. (Note: no animals were harmed in the making of Nobody.) However, I find that rather unfair: Hutch Mansell is far more grizzled than John Wick, with his slick suit, straight hair and sleek flashing neon backdrops; Hutch doesn't need a black stallion to kill his enemy - he just needs your average commuter bus! In between the slashing, hitting, shooting and stabbing (and there is a lot), the dryly witty script somehow manages to give a layer of depth to Mansell that's quite unexpected, while the excellent soundtrack (whoever picked Pat Benatar's Heartbreaker as the overture to a shootout deserves an Oscar) both delights and surprises. As I said, this isn't ground-breaking stuff, but it is decent, destructive fun that's both solidly written and produced. 

A Must-Watch?: Gory, gruesome and undeniably great fun, this ass-kicking outing marries a concise run time with a witty script and a soundtrack you'll have on repeat for days after. It'll also leave you wondering, is Bob Odenkirk kinda sexy? 

Comments

Popular posts from this blog

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life

'Riders of Justice' (15)

  Director:  Anders Thomas Jensen Cast:  Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicholas Bro Where can I watch?:   Riders of Justice  is in cinemas now  Rating:  4/5 Review:  There are some films that defy categorisation. For example, from watching the trailer for Riders of Justice, you might assume it to be some form of action comedy with a healthy dose of violence thrown in for good measure. However, Riders of Justice is actually far more complex than that, tackling themes of masculinity, mental health and even the existential alongside the occasional shoot out and grisly murder. At first, it appears to be about revenge - Mads Mikkelsen (looking particularly brutish) returns from a tour following the death of his wife in rail accident that could well be connected with a violent gang. Or was it all merely coincidence? Uncommunicative and unrelenting in his refusal to undertake therapy, Mikkelsen's Markus represents the archetypal army man - silent,

'Jojo Rabbit' (12A)

***** Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house. The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now. Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed