COVID-19 Special: 'The Banker' (12)

Director: George Nolfi

Cast: Anthony Mackie, Samuel L. Jackson, Nicholas Hoult

Where can I watch?: The Banker is streaming on Apple TV+

Rating: 4/5

Review: Based on the real-life story of two black businessmen taking on America's systemic racism through real estate ownership, Apple Original's The Banker sees Anthony Mackie and Samuel L. Jackson (at his most Samuel L. Jackson, minus the 'motherf*cking snakes on this motherf*cking plane') form a delightfully entertaining chalk-and-cheese relationship, with Nicholas Hoult as their white third wheel. Directed by George Nolfi and boasting a handful of screenwriters, the film wastes no time in establishing Bernard Garrett (Mackie) and Joe Norris (Jackson) as a force to be reckoned with, their Los Angeles property repertoire booming with the help of Matt Steiner (Hoult) as their customer-facing ally. The rags-to-riches scenes in which the hapless Steiner is made into a golf-loving, number-crunching, four-course-lunch-eating businessman possess all the charm of Eliza Doolittle's transformation, but it's clear that their attempts to play the system won't last forever, especially when they turn their attention towards Texas. By no means is The Banker groundbreaking, yet what it lacks in narrative creativity, it makes up for in humanity, with the blossoming relationships between the three protagonists drawn believably and sensitively.

A COVID-19 Must-Watch?: In terms of narrative, The Banker certainly doesn't add anything new to the genre, but a deft script and charismatic trio of actors raise it above average fare. It looks excellent too, with sharp suits, glossy cars and sumptuous, timely interiors providing added appeal by the bucket load. Entertaining and insightful, The Banker pays a touching homage to Bernard Garrett and Joe Norris' pioneering fight for equality, with a couple of Sam Jackson idiosyncrasies thrown in for good measure.

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'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor. The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life

'Riders of Justice' (15)

Director: Anders Thomas Jensen Cast: Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicholas Bro Where can I watch?: Riders of Justice is in cinemas now Rating: 4/5 Review: There are some films that defy categorisation. For example, from watching the trailer for Riders of Justice, you might assume it to be some form of action comedy with a healthy dose of violence thrown in for good measure. However, Riders of Justice is actually far more complex than that, tackling themes of masculinity, mental health and even the existential alongside the occasional shoot out and grisly murder. At first, it appears to be about revenge - Mads Mikkelsen (looking particularly brutish) returns from a tour following the death of his wife in rail accident that could well be connected with a violent gang. Or was it all merely coincidence? Uncommunicative and unrelenting in his refusal to undertake therapy, Mikkelsen's Markus represents the archetypal army man - silent,

'Jojo Rabbit' (12A)

***** Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house. The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now. Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed

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