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'Jojo Rabbit' (12A)

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*****

Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house.

The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now.

Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed a 'fanatic' by his mother (Scarlett Johansson), Jojo sets out to a Hitler Youth weekend with great aspirations of becoming one of the Fuhrer's personal guard... Only, he's not quite a ruthless as he first thought. A film that's as much a mini bildungsroman as it is satirical examination of the Nazi regime itself, Jojo Rabbit combines our protagonist's youthful innocence with jibes at the ridiculousness of the whole situation - how could anyone ever believe that Jews could read minds and hung upside down like bats? It's a truth that Jojo must discover for himself after uncovering a Jewish girl, Elsa, (Thomasin McKenzie) living in the wall - her acerbic personality causes our young hero to question the lies that have so indoctrinated him. 

For all the humour, however (and there is a lot of it), Waititi doesn't shy away from the shocking truths of the time, and there are moments of genuine heartbreak, tension and remorse interwoven with the 'it's not a good time to be a Nazi' one liners. Alone in the world and passed from place to place, Elsa reveals that her family have been taken 'to a place you don't come back from' whilst a previously innocent shot of Jojo talking to his mother on a wall comes back to bite the viewer in a heart-wrenching, unexpected way. Waititi's Hitler too, for all his camp expressions, possesses a deeply sinister side, whispering lies into Jojo's ears and, in one scene, delivering a vengeful speech that reminds us of the ferocity that Hitler used to rally the country around him. The film is a potent fusion of emotions, so don't let the trailer alone fool you. 

The message? That even in the darkest and most desperate of times, the human spirit prevails, and that when all seems lost, humour can even be found in the most unlikely of places. It's also a film about kindness and understanding - something we all need to reacquaint ourselves with in this rather turbulent world. Undoubtedly, with a subject matter such as this, there will be controversy, but, for me, it's a sensitively played satire that's nothing short of heartwarming. 

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