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'Chronicle' (15)



***/**** (3.5 stars)

DVD Release

Socially awkward and abused by his alcoholic father, Andrew feels as though he’s finally been accepted when he and two other boys develop strange powers after finding an unidentified object.

With so many super-power films to choose from, and a never-ending line of heroes to cheer on, it’s refreshing to come across a film that looks at the negative sides of these powers, and the effect it can have on individuals, in this case a group of three young men. At the heart of the story is Andrew (an excellent Dane DeHaan), a social outsider with a troubled home life. As his powers develop, he grows in confidence and starts to enjoy himself – he is the ultimate sympathetic character, given a chance at redemption but thwarted by his age and emotions. Given that the main characters are high-schoolers, their aims are based far more on their sexual desires and immediate pressures as opposed to notions of saving the world, which is indeed refreshing, and also darker than the Marvel outings we have witnessed.  

What lets the film down, and ultimately prevents me from giving it a 4-star rating, is the overblown conclusion. Whereas the rest of the film has been an intimate study of Andrew and his relationship with his parents and his new friends, the conclusion is an overly noisy, all-out destruction sequence in which all previous subtlety is erased in favour of spectacle. Prior to this, we witness more unnerving moments in which a spider is tortured, and Andrew stands up to his father, and I couldn’t help but feel that the film could’ve been creepier had director Josh Trank kept the drama low-key, a sort of kitchen sink story, as it were. Also, the whole found-footage method has surely been worn thin by now – in some cases, it feels appropriate here, with Andrew demonstrating his growing powers by moving the camera independently, but the introduction of a female character, purely to provide a second camera, is rather poor, and incredibly annoying.

What starts out as an interesting and intimate character piece ultimately descends into the loud, comic book crash-bash ending that probably sealed Trank the job of rebooting Fantastic Four. However, with an engaging and likeable cast, the subtle observance of the three boys together, and a distinct lack of score to support the images on screen, this is a good little film with a darker edge than the usual super-power adventures.

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