Skip to main content

'Ong-Bak: The Thai Warrior' (18)



Undecided upon a star-rating

DVD Release

When the head of a village’s sacred Buddha is stolen, it is up to young martial arts prodigy, Ting, to travel to the big city to retrieve it, and save his village from damnation.

So, I watched this film whilst quite drunk, and sitting with my equally tipsy friends and, honestly, if we hadn’t been inebriated and up for a laugh, we probably would have turned it off after the first five minutes. The acting is truly terrible, whoever did the subtitles should probably seek another form of employment, and the script is loaded with so much forced exposition it rivals Jupiter Ascending in terms of spelling out the plot.

It is just utterly bonkers throughout. How anyone could ever take this film seriously is honestly beyond me, as we all just sat and laughed for the duration, revelling in the ridiculous chase scene through the streets, a truly hilarious chase scene on tuk-tuks, and a young man kneeing his various opponents in the face. There’s also an insane baddie, made obvious through the fact he’s had a tracheostomy, speaks like a Dalek, and roves around in his wheelchair like some kind of disabled Emperor Palpatine. The fight scenes are pretty good, with plenty of ‘oohs’ and ‘ahhs’ to be had, and this is the first time I had seen this style of martial arts, which made it rather interesting to compare with the fluid, ballet-like movements seen in The Raid 2. The characters are wholly one-dimensional, and any attempt to make them appear three-dimensional is just so hysterically funny and cliché, it seems absurd it ever got through the script-edits.

For sheer entertainment value when you’re sitting around with your friends, drinking and feeling pretty jolly, it isn’t a bad film, but it’s something I would not sit down and watch again. It’s not meant to be at all funny, and yet it was so serious that it somehow was, with the final fight scene going from one balmy moment to another. I’ll remember it fondly because I laughed a lot and had a great time with my friends, but there’s not much of merit to really comment upon…

 

Comments

Popular posts from this blog

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life

'Riders of Justice' (15)

  Director:  Anders Thomas Jensen Cast:  Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicholas Bro Where can I watch?:   Riders of Justice  is in cinemas now  Rating:  4/5 Review:  There are some films that defy categorisation. For example, from watching the trailer for Riders of Justice, you might assume it to be some form of action comedy with a healthy dose of violence thrown in for good measure. However, Riders of Justice is actually far more complex than that, tackling themes of masculinity, mental health and even the existential alongside the occasional shoot out and grisly murder. At first, it appears to be about revenge - Mads Mikkelsen (looking particularly brutish) returns from a tour following the death of his wife in rail accident that could well be connected with a violent gang. Or was it all merely coincidence? Uncommunicative and unrelenting in his refusal to undertake therapy, Mikkelsen's Markus represents the archetypal army man - silent,

'Jojo Rabbit' (12A)

***** Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house. The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now. Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed