****
When fourteen-year-old
boy-wonder, Hiro, is left Baymax, his brother’s inflatable healthcare
assistant, an unlikely bond forms. Together, they aim to track down a terrible
villain who is terrorising their city.
‘Big Hero 6’ is an excellent
film, and not only for the audience that it is primarily aimed at. With
fast-paced action set pieces, a keen attention to detail and a delightfully
witty script, this is undoubtedly a very enjoyable cinema experience that both
young children and their accompanying adults can indulge in. The animation is
beautiful and totally immersive – the small nuances and constant movement occurring
in the background make this seem like a living, breathing world that is
excellent to behold. The fluidity of the animation when it comes to the
microbots is definitely a highlight, as is the scene in which Baymax and Hiro
take a flight over their city, each building stunningly realised. Perhaps I
should be used to how complex and immersive animation is today, but I am always
amazed at how wonderful it looks up on the big screen. It is suitably scary,
with just the right amount of threat for younger viewers to cope with, and it
features just the right balance between the ‘grown-up’ issues of loss and
grieving and all out silliness.
The film isn’t all spectacle
however, it is about friendship and love, demonstrated through our two central
characters of Hiro and Baymax, and later a group of fellow science-whizz kids.
The basis of the film is scientific advancement, and I was pleasantly surprised
at how much science there was at the beginning of the film, from Hiro being shown
the lab where his brother works, to the experiments that the other students are
undertaking. The inclusion of two female scientists is as refreshing as it is
important. One of the creations is Baymax, an inflatable personal health
companion. Baymax’s characterisation is truly remarkable – for a robot that
does not possess a mouth, only two black eyes, he is incredibly expressive and instantly
loveable. He provides much of the humour of the film, from his ungainly way of
running, to his ability to inflate and deflate as necessary, and his love of
Hiro’s cat, or ‘hairy baby’ as felines shall be known henceforth.
There is some terribly clunky
exposition, however, especially at the beginning, and the film lacks the
emotional heights that Pixar seems to do almost effortlessly. Similarly, I had
expected the ‘big reveal’ moment to be something other than it was, but looking
back on it, I can see how my expectations might have been difficult for younger
viewers to take in. There are also some gaping plot holes that were hard to
overlook, but these sins can be forgiven as ‘Big Hero 6’ is really rather delightful.
‘Big Hero 6’ lacks the emotional
punch that Pixar films do so well, but it is still packed with charm, wit and
stunningly colourful graphics that will keep young and old audiences alike
enthralled for a couple of hours. With well-drawn, multi-cultural characters,
this is undoubtedly an important step towards greater diversity within film. Its
heart is set firmly in the right place, and at the centre of it all is a
beautiful blossoming friendship between a boy-genius and a loveable robot.
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