*****
In 1984, a group of gay and lesbian
activists decided to raise funds in support of the striking miners. Picking a mining
town at random, they began to campaign on behalf of the workers in a small
Welsh community, eventually travelling from London to meet the recipients of
their charitable work.
I went into this film having
already decided that I quite liked it – having read some interviews, watched
the trailer a couple of times and then poured over the discussion board on
IMDb, I eagerly awaited the day when I would find the time to see it. And I was
not disappointed. Pride is a real
life tale (with some embellishments, such as the character of newcomer Joe) about
unlikely alliances and standing up to your oppressors, about discovering
yourself and other people. There are moments of humour and happiness alongside
heartfelt scenes of anguish and desperation, all supported with an excellent
soundtrack. I laughed and cried in equal measure and was thoroughly entertained
throughout. Joe (George MacKay) is our window into the world of the gay
activists, being a fictionalised character who is just discovering his
sexuality, and this plot device works rather well, allowing for other
characters to explain situations without it feeling like forced exposition.
MacKay is excellent as the wide-eyed, uncertain boy who develops into a
confident young man working as the official photographer and the moment of his
first kiss is handled sensitively, and the film avoids all attempts to loudly
shout: ‘LOOK! THERE ARE TWO MEN KISSING!’ Ben Schnetzer is Mark, the leader of
LGSM (Lesbians and Gays Support the Miners), and I was completely shocked to
discover that he is American, as his accent is so spot on. Mark is charismatic
and driven, and Schnetzer inhabits the role beautifully, be at once both
fragile and exceedingly strong. Andrew Scott also deserves a special mention in
his role as Gethin, who fled Wales sixteen years previously after being
rejected by his mother. Bill Nighy, Imelda Staunton and Paddy Considine play
members of the Welsh mining community and are essentially the only ‘big names’
of the film, but there are no egos on display here, instead they provide strong
support for the young actors on displays. There are moments where you want to
fist-pump and cheer, such as when Dominic West dances on the tables at the
community hall, and also moments where I cried (the Welsh chorus) and wanted to
throw things at the screen due to the sheer ignorance and prejudice from
members of the public. All in all, it adds up to be a pretty enjoyable film.
There are perhaps a couple of
issues I should raise: to begin, with such a vast number of characters, it is somewhat
inevitable that some get side-lined and others remain almost entirely
undeveloped. However, as a counter-argument, it could be said that the sheer
number of people with speaking roles merely highlights the fact that the gay
community was mingling with a large mining community, and this film does
emphasis the sheer number of people struggling in just one Welsh village, let
alone throughout the country. Also, I feel that the subject of AIDS was mostly
overlooked. Of course, it is mentioned and discussed, but only briefly, and I
felt that some further development on this topic would have helped to
counteract some of the more overly positive scenes. Similarly, Mark’s sudden breakdown
and outbursts at his friends comes slightly out of the blue, but Schnetzer puts
in such a great performance that you can forgive the film for this minor lapse.
Also, I wanted to know more about what happened to the activists and the miners
after 1985 – we are given some information on some of the individuals as the
credits role, but what happened to the rest of them? Perhaps we are to assume
that they all lived happily ever after, and that makes a refreshing change from
some of the downright depressing conclusions I’ve experienced.
Pride isn’t perfect, but it’s
certainly close! It is simply a joy to spend time with these people, and I
watched it with a big grin on my face (apart from when I was silently weeping).
The cast are all excellent and it is impossible to resist the enthusiasm and
general ‘good vibes’ that come pouring off the screen. I will definitely be
buying this on DVD to watch with a mug of hot chocolate whenever I feel a bit
glum.
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