Skip to main content

'Locke' (15)



**

Leaving work one evening, Locke goes on a long drive to London. On the way, his life crumbles about him as he makes a series of telephone calls.

I should perhaps make it clear from the outset that one of the stars I have given this film is down to pure creativity – I have never before seen a film such as this, wherein one character spends the duration sitting in a car making phone calls to various acquaintances. We only see Locke (Tom Hardy) outside of the car at the beginning of the film – for the rest he is behind the wheel of his car, speaking into his phone as he drives along various motorways. Even though I don’t think the film ‘works’, I think it is an interesting idea and could have potentially worked if there had been any kind of human interaction, perhaps through flashbacks. As it is, all we have are the various voices that come across the loudspeaker, and this is quite alienating – Tom Hardy is the only face we see.

So, seeing as this is technically only a one-star film in my eyes, what is wrong with it? Well, I was just bored by it. I didn’t care for Locke, nor any of the people he spoke to. I thought the images of lights passing on the motorway was quite effective, but that is not enough to sustain a narrative. Also, I came to be incredibly annoyed by the phone incessantly ringing – every time that awful ring tone (it was actually a rather innocuous sound, really) sounded, I found myself getting more and more annoyed. I found the majority of the people he spoke to irritating as well: why was Donal so useless - Hadn’t he been trained how to do his job?; and why was Bethan so drippy? JUST GET UP AND SHUT THE WINDOW! Similarly, you are simply hit over the head with the BMW product placement in the opening scene – we get chose ups of the emblem multiple times, and at points the film seems to be just one long advertisement for the Bluetooth capabilities the car has to offer.

I really, really wanted to like this film – I had heard and read so many rave reviews, but it was so disappointing. Hardy pulls off the one-man show very well and he is certainly an engaging screen presence, even if his accent is a little dubious. It just didn’t work for me, which is a shame because the idea is so original.

Comments

Popular posts from this blog

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life ...

COVID-19 Special: 'The White Tiger' (15)

Director:  Ramin Bahrani Cast:  Adarsh Gourav, Rajkummar Rao, Priyanka Chopra Jones Where can I watch?:   The White Tiger is streaming on Netflix .  Rating:  4/5 Review: Aravind Adiga's novel The White Tiger rocketed into the international bestseller lists when it was published in 2008. A darkly satirical study of Indian's caste system, the Man Booker Prize winner tackled everything from class to corruption, religion to rooster coops. It's perhaps strange, considering the novel's success, that it took so long for The White Tiger to be adapted into a film, but as director Ramin Bahrain shows, it was probably worth the wait. Taking on the central role of servant Balram is Adarsh Gourav: a mercurial screen presence, Gourav guides us through Balram's development from wide-eyed, eager driver to disillusioned servant and beyond with a deft, dependable hand. Balram's evolution from start to finish is entirely believable and, more importantly, wholly watchable - it'...

'Riders of Justice' (15)

  Director:  Anders Thomas Jensen Cast:  Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicholas Bro Where can I watch?:   Riders of Justice  is in cinemas now  Rating:  4/5 Review:  There are some films that defy categorisation. For example, from watching the trailer for Riders of Justice, you might assume it to be some form of action comedy with a healthy dose of violence thrown in for good measure. However, Riders of Justice is actually far more complex than that, tackling themes of masculinity, mental health and even the existential alongside the occasional shoot out and grisly murder. At first, it appears to be about revenge - Mads Mikkelsen (looking particularly brutish) returns from a tour following the death of his wife in rail accident that could well be connected with a violent gang. Or was it all merely coincidence? Uncommunicative and unrelenting in his refusal to undertake therapy, Mikkelsen's Markus represent...