Skip to main content

'Calvary' (15)


****

During a confession, Father James is threatened by a member of his parish. The man was brutally raped for many years as a child and is now seeking revenge upon the Catholic Church - his revenge will be the murder of Father James, a good and innocent priest. The would-be murderer gives Father James one week to prepare himself before the pair meet at the designated spot, on the shoreline.

This is an incredibly dark film - there is suicide, adultery, a tragic road accident, drug abuse and violence, but yet somehow the film isn't depressing and is frequently humorous. Father James (Brendan Gleeson) is at the heart of a small Irish community that is apparently tearing itself apart - each character is apparently a sinner in one respect or another - and he has taken it upon himself to try and help each of these unhappy misfits. Gleeson is outstanding in his role - he is in every single scene, and he remains perfectly in character throughout. He never raises his voice, apart from one rather heart breaking scene, and retains his aura of calm even as the day of his murder approaches.

John Michael McDonagh writes as well as directs, and his script is excellent - it is unusually eloquent and moving, boarding on Shakespearean at times, and you really have to concentrate on what is being sad to grasp some of the 'jokes', as well as the philosophical debates going on. He has crafted each of the characters very well - there are quite a few candidates for the would-be murderer that we have to get through, as well as Father James' suicidal daughter, Fiona (Kelly Reilly), but whereas some writers would leave certain roles underwritten, we fully engage with each suspect. Chris O'Dowd and Dylan Moran cast aside their comic stereotypes to play two very miserable men, both having family woes, whilst Aidan Gillen plays the atheist doctor who dabbles in cocaine. Each character, apart from Father James and Fiona, is inherently untrustworthy - none of them seem to have much decency left, which keeps you guessing right up to the last moment who the killer will be. There is one scene in particular that really stands out in my mind, and that is the moment in which Father James goes to visit an ex-pupil of his, Freddie Joyce, who brutally killed and ate some young women whilst on an LSD trip. Not only is Domhnall Gleeson, who plays Joyce, excellent, but the whole scene is a masterclass in how to write and film a soul-searching conversation between two people.

Don't go into this film expecting a cheery and light-hearted affair, but do not let that discourage you from seeing what is one of the best films I have seen this year. It is bleak and I couldn't relax for the duration, just waiting for someone to commit suicide, or die from a drugs overdose, but it is strangely enjoyable, and definitely moving.

Comments

Popular posts from this blog

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life

'Riders of Justice' (15)

  Director:  Anders Thomas Jensen Cast:  Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicholas Bro Where can I watch?:   Riders of Justice  is in cinemas now  Rating:  4/5 Review:  There are some films that defy categorisation. For example, from watching the trailer for Riders of Justice, you might assume it to be some form of action comedy with a healthy dose of violence thrown in for good measure. However, Riders of Justice is actually far more complex than that, tackling themes of masculinity, mental health and even the existential alongside the occasional shoot out and grisly murder. At first, it appears to be about revenge - Mads Mikkelsen (looking particularly brutish) returns from a tour following the death of his wife in rail accident that could well be connected with a violent gang. Or was it all merely coincidence? Uncommunicative and unrelenting in his refusal to undertake therapy, Mikkelsen's Markus represents the archetypal army man - silent,

'Jojo Rabbit' (12A)

***** Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house. The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now. Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed