Skip to main content

'The Bridge' (18)


***

Available for internet streaming/No evidence of DVD release

This documentary focuses on the suicides that occurred in 2004, specifically those who jumped from the Golden Gate Bridge in San Francisco.

Filmed over the period of a year in 2004, ‘The Bridge’ focuses on the stories of those who committed suicide by interviewing those they are survived by, as well as showing the harrowing footage of the individuals pacing the Bridge, before jumping into the water. Yes, there are actual clips of people committing suicide in this documentary, some seen up close and others from afar. The documentary focuses on the confusion of those left behind, from parents, to siblings and friends, and those who were in the area at the time. We hear briefly about how each individual came to be in the space that caused them to end their lives, with lots of frank discussion on the effects mental illness and substance abuse. Most distressing are the interviews with parents of those who were mentally ill, where they speak honestly about how they knew their respective child would commit suicide and how their act as impacted upon their lives now. Similarly upsetting are the images of the people sitting on the railings of the Bridge, surrounded by other people going about their daily lives, who fail to do anything to stop what is obviously about to happen.

However, the documentary seems to have no ‘message’ – there seems no point in its existence because there is nothing to learn, except that people from different walks of life choose this particular place to commit suicide. There are no interviews with the authorities that work on this bridge and try to stop people from jumping, nor is there any indication that there will be any changes made to the structure of the bridge to make it less easy to jump off the side. Indeed, the only thing the film tells us for sure is that it’s pretty easy to walk out onto the ledge and then plunge into the water. There is no science behind it either – the whole thing is entirely subjective, and I couldn’t help but feel that some kind of indication of what happens to the human body after such a fall would have given the documentary a more rounded appeal. Also, why does the filmmaker focus mostly on the story of Gene? It seems that his story is no more or less tragic than anyone else’s, and yet it is the one that we keep returning to.

Overall, not a bad documentary as it features some interesting discussion on mental illness, but feels rather lacking in other areas.

Comments

Popular posts from this blog

'Mary Queen of Scots' (15)

**** Arriving on the shores of Scotland, Mary Stuart moves to reclaim her title and her position as Queen. A Catholic and with a claim to the throne of England, she immediately poses a threat to Queen Elizabeth, a Protestant and the last of the House of Tudor.  The relationship between Mary Stuart and Elizabeth Tudor is one that has fascinated historians and artists alike for centuries. In a history that's dominated by male sovereigns, Mary and Elizabeth ruled alongside each other until Elizabeth had her cousin executed - surely that means that the two hated each other? In his play which premiered in 1800, Friedrich Schiller portrays Mary's last days, and the fraught relationship between the two women - one that is far from the 'black and white' dynamic that you might expect. Since then, numerous historians have revisited this momentous moment and dissected the connection between the two. One such biography is John Guy's Queen of Scots: The True Life

'Riders of Justice' (15)

  Director:  Anders Thomas Jensen Cast:  Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicholas Bro Where can I watch?:   Riders of Justice  is in cinemas now  Rating:  4/5 Review:  There are some films that defy categorisation. For example, from watching the trailer for Riders of Justice, you might assume it to be some form of action comedy with a healthy dose of violence thrown in for good measure. However, Riders of Justice is actually far more complex than that, tackling themes of masculinity, mental health and even the existential alongside the occasional shoot out and grisly murder. At first, it appears to be about revenge - Mads Mikkelsen (looking particularly brutish) returns from a tour following the death of his wife in rail accident that could well be connected with a violent gang. Or was it all merely coincidence? Uncommunicative and unrelenting in his refusal to undertake therapy, Mikkelsen's Markus represents the archetypal army man - silent,

'Jojo Rabbit' (12A)

***** Stuck at home after injuring himself at a Hitler Youth weekend, Jojo discovers that his mother is hiding a Jewish girl in their house. The words 'comedy' and 'Nazis' are hardly bedfellows, and yet director/screenwriter Taika Waititi has somehow created a film that features both. Without doubt, it's a highly controversial movie, with Joker levels of division already popping up across the internet - even I have to admit that laughing at the opening montage in which a young boy practises his 'Heil, Hitler' felt quite uncomfortable - but I'd argue that this charming little oddity is probably the film we all need right now. Cards on the table - the film never laughs at the atrocities the Nazis committed. In fact, we see the world through Jojo's (delightful newcomer Roman Griffin Davis) eyes - a crazy, confusing place that's made all the more bizarre by the presence of his imaginary friend, Adolf Hitler (Taika Waititi). Dubbed