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'Star Trek: Into Darkness' (12A)


*****

For the record, I am not a ‘Trekkie’ – I have seen a few episodes on TV and watched two of the films, as well as J.J Abrams’ excellent first chapter in the reboot of the classic franchise. Despite not being a follower of the Enterprise and all its various missions across time and space, it is still possible to enjoy this film, although apparently there are numerous references that simply passed me by.

It’s hard to discuss the film without giving too much away, but there is an excellent blend of action, schmaltz, threat, lens-flare and heroism throughout. Chris Pine (Kirk) and co. are back as the crew of the Star Ship Enterprise, this time battling the one-man-army that is Benedict Cumberbatch, on pitch-perfect form as a super-human who has discovered an alarming truth. Credit goes to the script writers for giving each character adequate time on screen for the audience to reconnect with them – there are essentially eight main characters to contend with, and only the rather pointless Carol seems underwritten and one-dimensional. She does however, contrary to what the trailer would have us believe, do more than walk around in her underwear. Pine is great as Kirk, displaying the boyish impulses, grief and determination that is required of his rather immature character. Keith Urban is back as consistently exasperated Bones, boasting some of the best lines of the film, and Simon Pegg returns as Scotty, who has a bigger role to play than in the previous movie, and not just for comic relief. The top performances undoubtedly go to Zachary Quinto, as Spock, and Benedict Cumberbatch. As a Vulcan, Spock chooses not to feel, and this becomes one of the main arcs of the film. Again, it’s hard not to give too much away, but as Spock’s outer shell becomes fractured, Quinto allows the audience to see the frailty of the Vulcan mind set.

The film is ‘darker’ than the first, with distressing deaths, and the theme of corruption constantly lurking in the background. The threat is sustained throughout, with some pretty brutal face-to-face punch ups as well as the battles in space that we expect from a ‘Star Trek’ film.  This doesn’t mean there isn’t humour, and essentially this is a story of human endeavour in the face of adversity, with believable characters and engaging leads.  There are moments that put a big smile on my face and there’s a speech from Benedict Cumberbatch that made everyone in the audience go ‘ahh’. Even the cheesy segments about family, sacrifice and believing in others are pleasurable. Visually, the film is outstanding. The opening set piece set inside a volcano is spectacular, and the big face-off in space is pretty impressive. Yes, the lens-flare is back with a vengeance, but this idiosyncrasy of Abrams’ is easily forgivable as this is an outstanding science-fiction romp that easily matches, if not exceeds, the enjoyment of the first.

 

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